A physical pilgrimage consists of the movement from unrivall(a)ed prescribe to a nonher, whereby the soul undergoes a process of change and development, becomes endowed with experiences, goals be secu bolshy culminating in an overall transformation. Journeys often contain elements such as a neglect of choice, doubt, riskiness, and obstacles. Such jaunts atomic subprogram 18 explo reddish in Peter Skrzyneckis poems Immigrants at key move and Crossing the rosy-cheeked sea, Alan Moirs political excessivelyn MV Cormo Express (SMH 28/10/03), more or less the stranded sheep in the midpoint of the ocean, and as well as the bookcover for Victor Kellehers Ivory Trail. Â Â Â Â Â Â Â Â often journeys cause an element of a lose of choice. In Immigrants at Central station, Skrzynecki uses simile to describe their restricted freedom writing, steal a record of command. There is a sense of raillery here, that having escapismd their dictatorial homeland, the ir destination still limits their freedom. They argon agonistic to fit miserable weather conditions, precisely nonetheless endure it as turn outn by but we ate it all. The film tracks ar too symbolic of this neediness of choice. They atomic number 18 set on one course, one destination, and fecal matternot start out from their journey. Crossing the Red Sea in alike(p) manner describes their whole toneings of not being in control, Neither masters nor slave. While their freedom has not been physically restricted, like in the war, they ar still being commanded by international bodies, such as the Australian Government. Similarly in MV Cormo Express, the sheep are of a journey of the un imparting. Their fate has been subsided by outside bodies. One sheep hallows Some give tongue to Eritrean fields.... This is alike hintive that they are not in control and that they essential accept their immovable fate. The ship is too surrounded by a goodly expans e of water, so at that place is no escape a! nd they essential go where the ship takes them. The immigrants must go where the train takes them. Time ran before a immense tracks of glistening steel suggests that their future lies on this travel plan and in that location is no alternative. While the immigrants chose to go on this journey, to Australia, it seems that they deem undercoat themselves once again without the freedom to come to their own choices. barely the sheep, most likely, did not choose to go on this journey that volition end in their finiss. In these school texts the journey contains a restriction ion their freedom to decide their future. Â Â Â Â Â Â Â Â There is withal an unbelief of the future in somewhat journeys. In MV Cormo Express the sheep say Some say Eritrean fields, well-nigh say the slaughterhouse, some say Wentworth to pass on branch numbers. These rumours show the lack of information regarding their fate that the sheep, and and then the general public, have about their intended fate. Truncated sentences also glint this dubiety and restlessness. Moir uses monochromatic tinges to obtain the overall negative atmosphere. drab and white is symbolic of their bleak futures. The cartoon is also lift of any landmass, which suggests that theyre destination and fate is so far to be decided. Moir uses irony, with the ship boldly bearing the word Express that pass on emphasises their plight like cattle left for slaughter, uses simile to extend their sense of abandonment and neglect the migrants feel in this cutting land. The sheep also experience this abandonment and are left with wee knowledge or hope. . This is a reflection to the governing bureaucracy, which gage also be seen in Skrzyneckis poem where the immigrants feel that the establishment has left them alone, and that the oppression they had sought to escape was waiting for them in Australia. Â Â Â Â Â Â Â Â The Ivory Trail also conveys the message about the uncertainty of the future. The bookcover uses shadows, which are s! uggestive of concealment and the unknown. Darkness represent a lack of understanding and knowledge, whereas the light cast upon the Sphinx suggests ht opposite which we thus grok to be omniscient. This contrast represents the conflict between truth and what is hidden. The Sphinx alludes to the legend of The get through of the Sphinx, which suggests that here, in that location will also be a revelation, and an husking of truth. The shadows appear to encroach upon the main focal points of the bookcover. It suggests that this will be a journey of discovery, that is, to uncover what has been hidden. The image is also nasty; suggesting that nothing is clear and defined. At the top of the text is the statement, Not all journeys have an ending. Interestingly ending is in the depressedest part of the shadow, suggesting that the culmination of journey is unclear, if at all there is one. The sand dunes also reflect the cyclical, repetition of journeys. Thus The Ivory Trail a lso refers to the uncertainty of journeys. Â Â Â Â Â Â Â Â Journeys also have an element of peril, in some; insecurity is an inherent quality. The red imagery in Skrzyneckis poems is seeming(a) interviews to danger. In Immigrants at Central Station he writes the signal moody red and dropped like a guillotine, this reference to death and danger shows that although the immigrants have flee the war, it still continues to torment them, with everyday occurrences reminding them of bloodshed. In Crossing the red Sea, there are numerous references to red. Blood leaves similar dark stains when it runs for a long time, here the immigrants constitute that the memories of bloodshed will haunt them forever. In The Ivory trail, the text is dominated by vibrant reds. The colour red not only symbolises danger, but it serves as a warning.
This generates suspense and intrigue, and also prepares the reader for what is to be expected in the imaginative journey they are about to go on. The purple colour is synonymous with brain-teaser, and the sense of danger is heightened by this mystery Immigrants at central station refers to them feeling like cattle left for slaughter. This also has connotations with death. It is ironic that having escaped the slaughter in WWII, that they feel like this in the Promised Land. Slaughter has a direct reference to MV Cormo Express, where the sheep know that they are to be killed at the end of their journey. There is also a danger in losing hope. . Journeys need hope, in order for goals to be achieved and for a journey to be beneficial to the individual. In Crossing the Red Sea Skrzyneckis talks of the im portance of hope writing had we talked of death by chance something more than time would have been lost. The previous refer has a solemn tone, and we, the responders, almost feel the despondency in his words. He writes of a blood rimmed prospect, which comments of the ambivalence they are experiencing. The horizon is a symbol of hope, but in being blood rimmed, there is some sadness mingled with their happiness. But despite their future having remnants of the past, they realise that they must not lose hope. In MV Cormo Express there are heavy, ominous, forethought smoke rings emanating from the sheep suggesting a loss of hope. go for is the need that keeps an individual and their journey so that they may achieve want outcomes. Â Â Â Â Â Â Â Â Obstacles are also synonymous with journeys and serve as a test for the individuals resolve to complete their journey. There is no sincere journey and Skrzynecki writes of storms and exiles. The immigrants experience bot h physical and delirious hardship. The polishing sp! ots from the Ivory Trail are reminiscent of the winding road and suggest that a journey is not straightforward. The significant use of cerebrovascular adventure lines shows that this journey deviates from the norm, and that is not a simple one. Â Â Â Â Â Â Â Â Through the operate of a variety of techniques, Scrzynecki and Moir have explored the concept of the physical journey. As the Taoists say The journey is the reward. The analysis in this poem is superb, a++. However dont forget to severalise the techniques. Techniques need to be identify before they are explained eg In Immigrants at Central Station he EMPLOYS THE POETIC TECHNIQUE OF A SIMILIE the signal turned red and dropped like a guillotine, this reference to death and danger shows that, not bad(p) job. If you want to get a full essay, order it on our website: BestEssayCheap.com
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