During 19th century, women were expected to be proper and polite; on the other hand, to rebel against this expectation was to be the reverse: ugly, rude, vulgar, and impolite. In addition, a woman was usually perceived as the vest of her husband when she married. Thus, once she married, all her wealth would belong to her husband. On the contrary, the remaining unmarried woman, labeled as old maids or spinsters were usually under the jurisdiction of their fathers or other warm relatives. For example: the characters Josephine and Constantia in the text The daughter of the late colonel. Therefore, in this essay, I am going to discuss how Muriel enables to transform herself by means of understanding of other models of feminine identities apart from beingness a married woman with reference to the text The move highway by Winifred Holtby. Â Â Â Â Â Â Â Â Women at that particular time were supposed to pack like Rachel Bennet: [a] pretty, clever, and a lady. She brought thin gs off, (Holtby, 220) and the or so meaning(a) matter is to flummox married. Marriage is - the crown and joy of womans designing - what we were born for - to have a husband and children, and a misfortunate home of your own, (Holtby, 223).
Unlike Rachel Bennet, Delia smokes, [she] lit another world-beater with trembling fingers (Holtby, 227) and even dares to talk back to her father, my dearest Father, do not at your eleventh hour begin to gip the heavy parents with me (Holtby, 227). Moreover, she god on her own in the city kinda of taking care of her family. She worked for a feminist active organizatio n, The 20th Century Reform League and gave ! public speeches, I live largely on platforms and in publicity (Holtby, 236). In addition, she did not even care about her household disorder, unlike... If you insufficiency to get a full essay, order it on our website:
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